Writing Craft

Publishing Advise: Kickstart your international publishing journey.

It started with a ghost writing project that came my way. After I pitched the proposal, my budget, and work timeline to the client, they told me someone else is willing to do the same work at 1/10th the price I quoted. I did not know what to tell them. So I wished them best of luck. But, it made me think what is actually happening in the Indian writing and editing market, what freelancers are earning and how many freelancers are willing to work for such low prices. I will not speak about those working for full-time, even-though they are also strongly underpaid, but I will keep this post for those who are willing to explore a more competitive and high paying market. To give a context, most Indian freelance content writer are being paid 10-40 ppw(paise per word), to put it into perspective, it comes to 100-400 rupees for a 1000 word article. For a longer story, for those who work for newspapers, media outlets, or other such places, there is no transparency about their pay. Media outlets like The Print, Outlook India, Scroll, The Wire, The Quint, and others which have emerged as prestigious places to get bylines, do not mention any pay details on their websites. No body knows how much, or if they pay, to unsolicited submissions from freelancers.  Another mindset that I have seen in most Indian Writing enthusiasts is that they want to be published even if they do not get paid for their work, especially for fiction, poetry and creative/narrative longform non-fiction writers, just for the sake of bylines on their CV or profiles. Now, here are some pointers and directions for those who want to get paid for their writings, specifically for their fiction, poetry, and creative/narrative non-fiction. Also towards the end, some tips for freelance content writers to get international clients. For freelancer content writers out there, you already know of places like, upwork, fiver, pph, and others, and most certainly know of job boards like, we work remotely, problogger job board, RemoteOk, and others, but here is a trade secret to find international clients; cold email the owners of websites you think you can write better blogs or copy content for. You can use hunter.io to find the email addresses of the owners. Also it is always better to have a website or at least a WordPress Blog, shaped as a website to clearly mention you area of interests. It is always better to send the link to your website than to send your CV. You website should have your portfolio and testimonies from your earlier contact. Also, niche writers are preferred over general writers who can write everything, so create your portfolio in a way to showcase your singular interest rather than everything and everyone you have worked with. It like going to a MBBS doctor over an MD or Super Specialist, who would you prefer? With that I would like to close this small post, but open a window to you, if you want to learn more about submissions, or want hand-on experience about how to navigate any of the above things, I do a one-on-one two-hours session to build up your website, walk you through submission lists, create accounts and navigate the complex maze to help you start with your big time international market publishing. You can write an email to [email protected], or contact me via LinkedIn( https://www.linkedin.com/in/fidoic/ ).  

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Descriptive Writing and Mindfulness: How One Reinforces the Other

I teach high school students, the bunch that is most wild, unorganized, and constantly in flux, yet passionate and aspiring. I have been a teacher for a long time now, but I essentially missed the art of teaching descriptive writing until recently I realized my flaw. I now ask my students to find the best definition of descriptive writing online, discuss it among peers, and then write the most detailed paragraph they can about the school building and its surroundings. What I get is reporting, detailed but tedious. Once they read it out loud, they, too, realize the monotony of it. We read a curated list of paragraphs to familiarize ourselves with what an ideal passage of descriptive writing should look and sound like. The one I love is the chapter “The Freedom of the City” from John Baxter’s The Most Beautiful Walk in the World. Then I take them for two rounds of walking in and around the school precinct, telling them to observe closely everything and anything they can lay their eyes on as well as smells and sounds that they can sense. In the second round, we add adjectives, metaphors, and other literary devices to all the observed things. Their task for the day is to rewrite their earlier passage with all the new inputs and adjectives. We edited the passage at least five times, with me dropping clues and hints on what could have been a more descriptive version of it. As the class progresses, our walks and outings also increase: public dispensaries, cafes, parks and gardens, school picnics, excursions, everything becomes more exciting for all of them. There is always a contest running about who is the most observant. Most students have a blog where they upload the writing exercises I give them. What I never expected as the by-product was mindfulness. Students seemed to be fully attentive to what was happening, to what they were doing, and to the space they were moving through. The attention deficit I saw in them decreased considerably.     Descriptive writing is not just describing, neither reporting what is where and who is like whom, nor just using adjectives and vivid imagery. It is absorbing the surroundings to their fullest, getting creative, and being courageous enough to take the leap of redesigning it, restructuring it according to one’s taste, molding it to one’s imagination and fancy, and creating the extraordinary out of the plain ordinary. Now the students can come to the front, close their eyes, and describe a scene from the market or create one out of their pure imagination, placing things all around them, giving colors to objects, tastes and smells to the samosas being fried at the food stall, sounds to the vendors selling clothes and the motorcars passing by. They can read out the boards over the shops and place the woman combing her hair on the balcony at the far right. They can transpose themselves to the market or bring it to the class. First Published in Whale Road Review.Read Bupinder Singh Bali’s latest book; Those Who Stayed; The Sikhs of Kashmir

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